This is a site for people wanting to share information on filmmaking or TV production. There are very talented people creating new and exciting films and media everyday. This site will promote to those filmmakers that want to know more. And marketing info for targeting to your audience.
Thursday, April 25, 2013
Hello todays blog. I am finally back in my hotel room at Fort Clark Springs. It's an actual old fort, awesome. We had a great day trapping this morning with Trapper(his given name) and his guys. Now I'm downloading footage and sitting here all clean. I felt like I had half of Mexico's dirt and dust on me.
We are just outside of Del Rio on a ranch that is 60,000+ acres. It borders the Rio Grande. there was several times we ended up near the banks. That is a beautiful river. I can see why people want to swim it. lol
It has been the most exciting week for me watching Trapper, Kevin, Cam, Andrew, Chris the pilot and Pat the pilot handle these animals with care. The pilots are fearless. Flying right at the tops of the trees, dropping in to where the animals are holding tight, flushing them out to be netted by the net gunner.
This net gun is very dangerous in it's own right, just ask Trey Trammell he has the scars to prove it.
The chase guys on the ground are very quick to get to the netted animal and get them loose and hobble them and put a blindfold on the animals. these guys are more concerned about the animals stress level then you can imagine. It is all about moving the animals with as little stress as possible. Today in one small area we found 6 difference carcasses. These animals have to be moved to land with more resources and food and water so they can survive.
This will make for one of the most exciting action TV shows you're going to see. Much better then the canned hunts on some Hogger show with penned hogs they let loose to just catch them again.
There will be a couple of months for post production then pitch the pilot to networks that have expressed a desire to air.
I'll keep you posted.
Wednesday, February 27, 2013
Why Video works for YOUR website?
So your company has a website and you're looking for content that will make it more interesting. Or maybe you're just kicking around the idea of testing out web video to see if it moves the needle with your target market. Regardless of your industry, well executed corporate video can help you attract more web traffic and convert more users into buyers, facebook fans, twitter followers and more. Here's how:
1. Video helps your ranking in search engines
Companies that rely on search engines know the importance of being on the first page of search results. Well, google gives a leg up to site pages that have video. A Forrester study discovered that a page with a video was 53 times more likely to get listed on the first page of a relevant search.
There is no direct formula for guaranteeing a listing on the first page of search results. There are, however, solid web strategies you can apply to ensure your site the best listing possible. Google and other search engines rank pages based on the site's determined quality. Which is why it's important that...
2. Users spend more time on your website
Like it or not, users don't read websites. They scan them; they scroll and scour the page looking for the most relevant information. Videos give your users something to fix their eyes on and a reason to stay on the page. It's not uncommon for users to spend 40-50 percent longer on pages with video.
Google considers the time spent on site as an indicator of a site's quality; improving it means improving your search engine rank. Also, web video is typically sharable content, which will increase the referring traffic to your site (another indicator of a site's quality). Ultimately, well-placed video equates to longer traffic, more referalls and higher placement on search engines.
3. Video allows a clearer explanation of your company's services and benefits
If a user were to visit your website and your competitor's website, how would she tell the difference? If your logo weren't there, what about your site is specific only to you? If you switched your logo with your competitors, could an outsider tell the difference?
Video allows you to tell your company's story in a unique, memorable way. You can bring life, energy and personality to your website in a way that text on the screen never could. You can demonstrate your product in its actual environment or educate the user on how to make a smarter purchasing decision. This improves viewer recall, enhances your brand and distances you from your competition.
4. Video increases sales and site conversions...significantly
There are a ton of stats out there to back this up, but here's a few of my favorites from Invodo:
Consider also that as internet speeds continue to rise and mobile web usage continues to grow, total video traffic increases every year. In fact, Cisco predicted a few years ago that by the end of 2013, 90% of web traffic would be video.
So what does this all mean? If your business is heavily reliant on your website, video is a great way to improve the quality of your site and increase leads/sales. It's also a valuable branding tool to separate you from you competitors and make your company more memorable to the consumer.
Ready to get started? Click Door4 Entertainment Media Agency to learn how Door4 Media can help.
1. Video helps your ranking in search engines
Companies that rely on search engines know the importance of being on the first page of search results. Well, google gives a leg up to site pages that have video. A Forrester study discovered that a page with a video was 53 times more likely to get listed on the first page of a relevant search.
There is no direct formula for guaranteeing a listing on the first page of search results. There are, however, solid web strategies you can apply to ensure your site the best listing possible. Google and other search engines rank pages based on the site's determined quality. Which is why it's important that...
2. Users spend more time on your website
Like it or not, users don't read websites. They scan them; they scroll and scour the page looking for the most relevant information. Videos give your users something to fix their eyes on and a reason to stay on the page. It's not uncommon for users to spend 40-50 percent longer on pages with video.
Google considers the time spent on site as an indicator of a site's quality; improving it means improving your search engine rank. Also, web video is typically sharable content, which will increase the referring traffic to your site (another indicator of a site's quality). Ultimately, well-placed video equates to longer traffic, more referalls and higher placement on search engines.
3. Video allows a clearer explanation of your company's services and benefits
If a user were to visit your website and your competitor's website, how would she tell the difference? If your logo weren't there, what about your site is specific only to you? If you switched your logo with your competitors, could an outsider tell the difference?
Video allows you to tell your company's story in a unique, memorable way. You can bring life, energy and personality to your website in a way that text on the screen never could. You can demonstrate your product in its actual environment or educate the user on how to make a smarter purchasing decision. This improves viewer recall, enhances your brand and distances you from your competition.
4. Video increases sales and site conversions...significantly
There are a ton of stats out there to back this up, but here's a few of my favorites from Invodo:
- According to Internet Retailer, 52% of consumers say that watching product videos makes them more confident in their online purchase decisions. When a video is information-intensive, 66% of consumers will watch the video two or more times.
- According to Retail Touchpoints, the Step2 Company found that shoppers who viewed video were 174% more likely to purchase than viewers who did not. (Retail Touchpoints Channel Innovation Awards, 2012)
- Mediapost reports that product videos play a key role in consumer purchase decisions, citing a9x increase in retail video views at the start of the 2011 holiday season.
Consider also that as internet speeds continue to rise and mobile web usage continues to grow, total video traffic increases every year. In fact, Cisco predicted a few years ago that by the end of 2013, 90% of web traffic would be video.
So what does this all mean? If your business is heavily reliant on your website, video is a great way to improve the quality of your site and increase leads/sales. It's also a valuable branding tool to separate you from you competitors and make your company more memorable to the consumer.
Ready to get started? Click Door4 Entertainment Media Agency to learn how Door4 Media can help.
Tuesday, February 26, 2013
ARGO got it Wrong
Argo, the new movie from actor-director Ben Affleck, has mostly been getting raves—including a qualified but fairly strong endorsement from Slate’s own Dana Stevens, who calls it “a rollicking yarn” and “easily the most cohesive and technically accomplished of Affleck’s three films so far.” But several reviews have also noted just how far the movie departs in certain respects from the historical record. In the movie’s dramatic climax, Stevens writes, the “broadly accurate retelling of real events” gives way to “some fairly whopping dramatic license.” Similarly, New Yorker critic Anthony Lane—who also enjoyed the film—found it a “bit rich” that the movie pokes so much fun at “Hollywood deceitfulness” only to end “with an expert helping of white lies.” Former Slate film critic David Edelstein goes even further: NPR headlined his review “Argo: Too Good To Be True, Because It Isn’t.”
So just how accurate is Argo? And what are the white lies and dramatic whoppers the movie indulges in? We’ve tried to break it all down below. While it seems odd to offer a spoiler alert for a movie based on historical events, be warned that the rest of this post will discuss the movie in some detail. But you should also know that a lot of the most interesting details below aren’t in the movie at all—because, it turns out, much of the stuff Argo leaves out is even better than what made it in.
The Premise
Argo’s central, nutty storyline—in which the CIA establishes a fake movie production, complete with a full script and ads in Variety and The Hollywood Reporter, in order to rescue six Americans stranded in post-revolutionary Iran—is 100 percent true, and pretty incredible. The movie is largely based on a terrific article by Joshuah Bearman published five years ago in Wired, which you should read. (The script also draws on a memoir by Antonio Mendez, the man that Affleck plays in the film.) As Bearman explained in a chat with Gawker readers yesterday, the person who first told him about the story was an independent movie producer named David Klawans, who hoped that Bearman would report it out and write up a “nice yarn” that “might help kickstart a movie.” “Shockingly,” Bearman said, “it worked.” (Klawans is an executive producer of Argo.)
Canada’s Involvement
The most disputed aspect of the movie’s version of events has to do with Canada’s role in the escape. 30 years ago, Canada received complete credit for the rescue, because the U.S. was worried about possible repercussions if CIA involvement was publicized. (They may also have wanted to maintain the plausibility of a similar ruse in future.) Argo corrects that version of events—or, rather, overcorrects it, downplaying the actual extent of Canadian involvement, which was considerable. The Americans were housed by two Canadians: the Ambassador Ken Taylor, and a Canadian embassy employee, John Sheardown. (In the film, all of them stay with Taylor; Sheardown does not appear at all.) It was Taylor who cabled Washington to begin the escape plan in earnest, and once the plan was decided on, Canadians “scouted the airport, sent people in and out of Iran to establish random patterns and get copies of entry and exit visas, bought three sets of airline tickets,” and “even coached the six in sounding Canadian.”
Almost none of that appears in Argo. Taylor himself has a major part, and is presented as a sympathetic and brave man who took great personal risks to save the Americans. But his actual role was even larger. He was “spying for the U.S. throughout the hostage crisis, at the request of Jimmy Carter.” After some friends who attended the Argo premiere in Toronto described it to Taylor, he expressed concern “that we’re portrayed as innkeepers who are waiting to be saved by the CIA,” which is a pretty fair description of what the film depicts. Affleck made a small change in response to this criticism: A postscript that contrasted Taylor’s 112 citations with the absence of credit given the CIA was rewritten to praise the Argo mission as a model of international cooperation.
The Escape
It’s not Canada’s involvement that has gotten the goat of some critics, though—it’s the pulse-pounding trip to the airport that serves as the movie’s climax. Affleck’s version involves every conceivable complication—each one of them, as it happens, invented purely to make the movie more exciting. (And it works! The finale is thrilling.) In the movie, the U.S. government reverses its approval of the plan at the last minute, meaning there may be no tickets waiting for the Americans when they arrive at the airport. In fact, the plane tickets were purchased ahead of time by the Canadians. Airport security guards stop the Americans in the film, leading to a tense and terrific scene in which one of the Americans makes the risky decision to speak Farsi with the guards, a daring move that pays off hugely. Actually, though, the trip through the airport was “smooth as silk,” as Mendez himself has written. Most improbably, the teams of carpet weavers that the Iranian government put to work repairing shredded documents (something they actually did!) piece together the face of one of the six Americans right as the group reaches the airport, and those carpet weavers relay the image to their higher-ups in time for armed men to chase down the departing airplane in a jeep and police cars. None of that happened.
The Fake Movie
Once Mendez got the go-ahead for the fake movie plan, he needed a real movie idea that his fake film company could pretend to have in production. In Argo, Mendez and the Oscar-winning makeup artist John Chambers—amusingly played by his actual doppelganger, John Goodman—go through dozens of scripts with a veteran Hollywood producer played by Alan Arkin (about whom more below), and Mendez spots a movie called Argo buried in the pile. In fact, Chambers thought of a script they could use soon after Mendez told him the idea. It was called Lord of Light, after the best-selling sci-fi novel by Roger Zelazny that it was based on. The Lord of Light script was part of a wildly ambitious scheme called Science Fiction Land, which would have been the first sci-fi theme park. In order to make that dream a reality, the script’s author, Barry Ira Geller, managed to enlist support not only from Chambers, but from Buckminster Fuller, Ray Bradbury, Paolo Soleri, and Jack Kirby—who made production drawings for the film. You can see one of them below. (In Argo, Mendez commissions storyboards himself, which are quite different from Kirby’s drawings.)
After Chambers showed Mendez the Lord of Light script, Mendez decided it needed a new name. He suggested “Argo” because it was part of his favorite knock-knock joke. “Who’s there?” “Argo.” “Argo who?” “Argo fuck yourself.” This last phrase is given a different origin story in Argo and becomes a very funny running gag. Geller, by the way, still hopes to get Lord of Light made some day, and producer-director Judd Ehrlich is trying to get a documentary about Science Fiction Land off the ground.
Alan Arkin’s Role
Among the major roles, the Hollywood producer played with great relish by Alan Arkin is the only one who is essentially fictional. Which is a bit ironic, since the character is himself presented as the embodiment of Hollywood bullshit. In Argo, Chambers tells Mendez they need a big-name producer to make the movie look legit, and he knows just the guy. In fact, Chambers brought in fellow make-up man Robert Sidell, who worked on E.T. among many other movies. The January 1980 Hollywood Reporter story that announced plans for Argo was headlined “Two make-up artists turn to producing with sci-fi ‘Argo.’ ” Arkin has said he based his character partly on Jack Warner.
Ben Affleck’s Role
Tony Mendez is, on the other hand, very much a real person, of course. But Affleck gives him a little bit of Hollywood-friendly backstory that seems to be fictional. The first time we see Mendez in Argo he’s sleeping in a messy apartment all by himself; he and his wife are taking some time off, we soon learn, and it’s suggested that he’s lost some respect down at the Agency. Thus Affleck reinforces the feel-good quality of the story by providing a narrative of personal redemption as well: At the end, Mendez is a hero at work, and appears to reconcile with his wife and young son—who, in this version, helped inspire the sci-fi movie trappings of Mendez’s exfiltration plan. The real Mendez had two sons and a daughter with his first wife, who died of cancer in 1986. In his memoir, The Master of Disguise: My Secret Life in the CIA, he does not describe the kind of separation and reconciling that Affleck depicts. In fact, when he left for Tehran, his wife drove him to the airport.
You can watch Mendez talk about the actual mission in the clip below. It’s from an episode of the Errol Morris series First Person that was devoted to Mendez and titled “The Little Gray Man.”
The absolute worst part of this movie was the voice of Jimmy Carter at the end taking all the credit for the hostages return. Everyone who remembers during that time, knows the hostages were returned cause Ronald Reagan was about to send all out war in there to get them. That was back when the US had balls.
Tuesday, February 12, 2013
2013 State of the Union of FDP FILMS
FDP FILMS, has already had a banner 1st quarter of 2013. We shot last week at the Glass Cactus, a live concert to be turned into a music video for Professor D. This is FDP Films 3rd time to be contracted by the group for filming. We used 2 RED Ones and 1 RED Epic as well as a HDSLR. The footage has been moved to the server and is waiting for the digital audio files to be sync'd. We will edit in the RAW and then send the final edit to our color-correctionist.
We are working on getting geared up for the great horror film from well known Director Mike Marvin. This production will take us to the islands in the Bahamas and FL keys for several months. I know someone has to do it. Did we mention that will be lots of Hot women in bikinis?.
We are also working on four pilots for different cable outlets for this year. We have one that will involve lots of flying in helicopters just over the tree-tops to capture exotic animals and move them from one place to another.
There are several Harley-Davidson commercials that we are in the pre-planning stage.
If you have an idea of something you've wanted to create or see produced. Then contact us, we have Non-disclosure agreements on hand 24/7. We love a new challenge and look forward to helping you create. We are not limited by the size of a budget. Don't think you'll insult us with a small budget. We will assign the right size crew and gear for your needs.
Friday, February 08, 2013
What are your thoughts on.....
When does something move from being pornographic to artistic? When does the naked body just photograph as art or a canvas change to being dirty? I've spent a lot of time in Europe, lived in London for 4 1/2 years. The nakedness of ones body is embraced. It isn't used to exploit except to the Westerners. I just wonder if it's our culture or a sign of the times?
I welcome any and ALL responses.
I welcome any and ALL responses.
Monday, February 04, 2013
Communication Breakdown between Client and Artist. (happens everyday)
From:
Shannon Walkley
Date:
Monday 21 June 2010 9.15am
To:
David Thorne
Subject:
Poster
Hi
I
opened the screen door yesterday and my cat got out and has been missing since
then so I was wondering if you are not to busy you could make a poster for me.
It has to be A4 and I will photocopy it and put it around my suburb this
afternoon.
This
is the only photo of her I have she answers to the name Missy and is black and
white and about 8 months old. missing on Harper street and my phone number.
Thanks
Shan.
From:
David Thorne
Date:
Monday 21 June 2010 9.26am
To:
Shannon Walkley
Subject:
Re: Poster
Dear
Shannon,
That
is shocking news. Luckily I was sitting down when I read your email and not
half way up a ladder or tree. How are you holding up? I am surprised you
managed to attend work at all what with thinking about Missy out there cold,
frightened and alone... possibly lying on the side of the road, her back legs
squashed
by a vehicle, calling out "Shannon, where are you?"
Although
I have two clients expecting completed work this afternoon, I will, of course,
drop everything and do whatever it takes to facilitate the speedy return of
Missy.
Regards,
David.
From:
Shannon Walkley
Date:
Monday 21 June 2010 9.37am
To:
David Thorne
Subject:
Re: Re: Poster
yeah
ok thanks. I know you dont like cats but I am really worried about mine. I have
to leave at 1pm today.
From:
David Thorne
Date:
Monday 21 June 2010 10.17am
To:
Shannon Walkley
Subject:
Re: Re: Re: Poster
Dear
Shannon,
I
never said I don't like cats. Once, having been invited to a party, I went
clothes shopping beforehand and bought a pair of expensive G-Star boots. They
were two sizes too small but I wanted them so badly I figured I could just wear
them without socks and cut my toenails very short. As the party was only a few
blocks from my place, I decided to walk. After the first block, I lost all
feeling in my feet. Arriving at the party, I stumbled into a guy named Steven,
spilling Malibu & coke onto his white Wham 'Choose Life' t-shirt, and he punched
me. An hour or so after the incident, Steven sat down in a chair already
occupied by a cat. The surprised cat clawed and snarled causing Steven to leap
out of the chair, slip on a rug and strike his forehead onto the corner of a
speaker; resulting in a two
inch
open gash. In its shock, the cat also defecated, leaving Steven with a foul
stain down the back of his beige cargo pants. I liked that cat. Attached poster
as requested.
Regards,
David.
From:
Shannon Walkley
Date:
Monday 21 June 2010 10.24am
To:
David Thorne
Subject:
Re: Re: Re: Re: Poster
yeah
thats not what I was looking for at all. it looks like a movie poster and how
come the photo of Missy is so small?
From:
David Thorne
Date:
Monday 21 June 2010 10.28am
To:
Shannon Walkley
Subject:
Re: Re: Re: Re: Poster
Dear
Shannon,
It's
a design thing. The cat is lost in the negative space.
Regards,
David.
From:
Shannon Walkley
Date:
Monday 21 June 2010 10.33am
To:
David Thorne
Subject:
Re: Re: Re: Re: Re: Poster
That’s
just stupid. Can you do it properly please? I am extremely emotional over this
and was up all night in tears. you seem to think it is funny. Can you make the
photo bigger please and fix the text and do it in color please. Thanks.
From:
David Thorne
Date:
Monday 21 June 2010 10.46am
To:
Shannon Walkley
Subject:
Re: Re: Re: Re: Re: Re: Poster
Dear
Shannon,
Having
worked with designers for a few years now, I would have assumed you understood,
despite our vague suggestions otherwise, we do not welcome constructive
criticism. I don't come downstairs and tell you how to send text messages, log
onto Facebook and look out of the window. I am willing to
overlook
this faux pas due to you no doubt being preoccupied with thoughts of Missy
attempting to make her way home across busy intersections or being trapped in a
drain as it slowly fills with water. I spent three days down a well once but
that was just for fun. I have amended and attached the poster as per your
instructions. Regards, David.
From:
Shannon Walkley
Date:
Monday 21 June 2010 10.59am
To:
David Thorne
Subject:
Re: Re: Re: Re: Re: Re: Re: Poster
This
is worse than the other one. can you make it so it shows the whole photo of
Missy and delete the stupid text that says missing missy off it? I just want it
to say Lost.
From:
David Thorne
Date:
Monday 21 June 2010 11.14am
To:
Shannon Walkley
Subject:
Re: Re: Re: Re: Re: Re: Re: Re: Poster
From:
Shannon Walkley
Date:
Monday 21 June 2010 11.21am
To:
David Thorne
Subject:
Re: Re: Re: Re: Re: Re: Re: Re: Re: Poster
yeah
can you do the poster or not? I just want a photo and the word lost and the
telephone number and when and where she was lost and her name. Not like a movie
poster or anything stupid. I have to leave early today. If it was your cat I
would help you. Thanks.
From:
David Thorne
Date:
Monday 21 June 2010 11.32am
To:
Shannon Walkley
Subject:
Awww
Dear
Shannon,
I
don't have a cat. I once agreed to look after a friend's cat for a week but
after he dropped it off at my apartment and explained the concept of kitty
litter, I kept the cat in a closed cardboard box in the shed and forgot about
it. If I wanted to
feed
something and clean faeces, I wouldn't have put my mother in that home after
her stroke. A week later, when my friend came to collect his cat, I pretended
that I was not home and mailed the box to him. Apparently I failed to put
enough stamps on the package and he had to collect it from the post office and
pay eighteen dollars. He still goes on about that sometimes, people need to
learn to let go. I have attached the amended version of your poster as per your
detailed instructions.
Regards,
David.
From:
Shannon Walkley
Date:
Monday 21 June 2010 11.47am
To:
David Thorne
Subject:
Re: Awww
Thats
not my cat. where did you get that picture from? That cat is orange. I gave you
a photo of my cat.
From:
David Thorne
Date:
Monday 21 June 2010 11.58am
To:
Shannon Walkley
Subject:
Re: Re: Awww
I
know, but that one is cute. As Missy has quite possibly met any one of several
violent ends, it is possible you might get a better cat out of this. If anybody
calls and says "I haven't seen your orange cat but I did find a black and
white one with its hind legs run over by a car, do you want it?" you can
politely decline and save yourself a costly veterinarian bill. I
knew someone who had a basset hound that had its hind legs removed after an
accident and it had to walk around with one of those little buggies with
wheels. If it had been my dog I would have asked for all its legs to be removed
and replaced with wheels and had a remote control installed. I could charge
neighborhood
kids for rides and enter it in races. If I did the same with a horse I could
drive it to work. I would call it Steven.
Regards,
David.
From:
Shannon Walkley
Date:
Monday 21 June 2010 12.07pm
To:
David Thorne
Subject:
Re: Re: Re: Awww
Please
just use the photo I gave you.
From:
David Thorne
Date:
Monday 21 June 2010 12.22pm
To:
Shannon Walkley
Subject:
Re: Re: Re: Re: Awww
From:
Shannon Walkley
Date:
Monday 21 June 2010 12.34pm
To:
David Thorne
Subject:
Re: Re: Re: Re: Re: Awww
I
didnt say there was a reward. I dont have $2000 dollars. What did you even put
that there for? Apart from that it is perfect can you please remove the reward
bit.
Thanks
Shan.
From:
David Thorne
Date:
Monday 21 June 2010 12.42pm
To:
Shannon Walkley
Subject:
Re: Re: Re: Re: Re: Re: Awww
From:
Shannon Walkley
Date:
Monday 21 June 2010 12.51pm
To:
David Thorne
Subject:
Re: Re: Re: Re: Re: Re: Re: Awww
Can
you just please take the reward bit off altogether? I have to leave in ten
minutes and I still have to make photocopies of it.
From:
David Thorne
Date:
Monday 21 June 2010 12.56pm
To:
Shannon Walkley
Subject:
Re: Re: Re: Re: Re: Re: Re: Re: Awww
From:
Shannon Walkley
Date:
Monday 21 June 2010 1.03pm
To:
David Thorne
Subject:
Re: Re: Re: Re: Re: Re: Re: Re: Re: Awww
Fine.
That will have to do.
Monday, January 28, 2013
How Can Videos Save Your Website And Business?
Most small or large businesses who use videos don’t have the time or the tools
to host their videos on their own server, so they choose Vimeo or YouTube and using the embed code. If you really don’t
have any other options, it’s still better to have something on YouTube
than nothing at all. So here’s a list of tips and tricks.
1. QUANITY. The more of this type of marketing videos you can accomplish, the better off you will be in placing your content where the search engines will find and display it.
2. GIVE YOUR VIDEO A GOOD TITLE. Use keywords. Make it compelling. No one will watch, nor will they search for “January 18_video.mp4” But they will watch “How I Saved Money and Solved My ——- Problem In Three Easy Steps.” Get the picture?
3. PAY ATTENTION TO THE DESCRIPTION FIELD. The very first thing should be http:// and your website. Not just your homepage, but a page that gets the viewer closer to doing business with you is what we all want.
4. UPLOAD A TRANSCRIPT / CREATE CAPTIONS This is a relatively new feature, but it is possible now to upload a transcript of your video to YouTube. There is also a feature that will let you create captions so the video can be watched, instead of heard. There is an entire list of best practices for these actions themselves, so ask for help, or search for tutorials. Big hint: don’t use WORD to create your files. Use WORDPAD so you can save them as .txt files without all the format encoding. Or, if you understand video time code, create a .srt file and you’re able to more precisely control your captions. The ability for the search engines to read videos due to transcripts is really a game changer.
5. CREATE A NEW PAGE FOR JUST THE VIDEO If you can whip up a single page on your site, and embed the video, surrounded by keywords and phrases that would be great. Then you can put THAT URL into the YouTube description field. If you have one video optimized for a key phrase, and a different video optimized for a different key phrase, you have increased your chances of being on top of a search and having that search lead back to you.
6. TELL EVERYONE. Put the YouTube Share code on every social network you can. Your promotion needs to run like a good ad campaign. Maybe not everywhere all at once, and maybe some places more than once. But get it out there and create some talk. Ask folks to share. Ask for comments. Ask for subscribers.
7. BRANDING. FYI, as part of it’s newly launched “In Video Programming”, you can upload an image that YouTube will use as a “bug” in the corner of your videos. You can also pick which corner of the video it appears in, and for how long. There is also a seldom used workaround for the YouTube embed code that removes YouTube branding.
Some folks don’t want to be associated with YouTube because of its “pedestrian” image. But
YouTube is the second largest search engine. It’s a great place to put your videos. And by following some simple steps, it can be another tool in your arsenal for getting noticed.
–Roar.
1. QUANITY. The more of this type of marketing videos you can accomplish, the better off you will be in placing your content where the search engines will find and display it.
2. GIVE YOUR VIDEO A GOOD TITLE. Use keywords. Make it compelling. No one will watch, nor will they search for “January 18_video.mp4” But they will watch “How I Saved Money and Solved My ——- Problem In Three Easy Steps.” Get the picture?
3. PAY ATTENTION TO THE DESCRIPTION FIELD. The very first thing should be http:// and your website. Not just your homepage, but a page that gets the viewer closer to doing business with you is what we all want.
4. UPLOAD A TRANSCRIPT / CREATE CAPTIONS This is a relatively new feature, but it is possible now to upload a transcript of your video to YouTube. There is also a feature that will let you create captions so the video can be watched, instead of heard. There is an entire list of best practices for these actions themselves, so ask for help, or search for tutorials. Big hint: don’t use WORD to create your files. Use WORDPAD so you can save them as .txt files without all the format encoding. Or, if you understand video time code, create a .srt file and you’re able to more precisely control your captions. The ability for the search engines to read videos due to transcripts is really a game changer.
5. CREATE A NEW PAGE FOR JUST THE VIDEO If you can whip up a single page on your site, and embed the video, surrounded by keywords and phrases that would be great. Then you can put THAT URL into the YouTube description field. If you have one video optimized for a key phrase, and a different video optimized for a different key phrase, you have increased your chances of being on top of a search and having that search lead back to you.
6. TELL EVERYONE. Put the YouTube Share code on every social network you can. Your promotion needs to run like a good ad campaign. Maybe not everywhere all at once, and maybe some places more than once. But get it out there and create some talk. Ask folks to share. Ask for comments. Ask for subscribers.
7. BRANDING. FYI, as part of it’s newly launched “In Video Programming”, you can upload an image that YouTube will use as a “bug” in the corner of your videos. You can also pick which corner of the video it appears in, and for how long. There is also a seldom used workaround for the YouTube embed code that removes YouTube branding.
Some folks don’t want to be associated with YouTube because of its “pedestrian” image. But
YouTube is the second largest search engine. It’s a great place to put your videos. And by following some simple steps, it can be another tool in your arsenal for getting noticed.
–Roar.
Sunday, January 20, 2013
I just watched Detropia. Great film very well thought out, good tracking and visual images. Here is one of the greatest cities of our lifetime rotting away to nothing. Is this going to happen to all our cities? Is this our fault? How could a city that 20 years ago had 1.7M people and today has less then 700k? George the union president had the most profound thing to say. He said, "Is the greed our fault?" "Shouldn't we all take responsibility?" I say yes, if you ever signed your name to a union card then YES you are at fault. You want to know why China is selling their cars at half our price? NO greed. In it's heyday Detroit was living it up we can't be stopped. Greed will bring a big city, business or an individual to their knees. I'm feeling for the people of Detroit. But this is an American idea.... what can I get, how do I get a flashier car then the next guy? How much bling can I wear more then you? Face it you want to tell me the products that came out of our industry in the 80s and 90s were the best quality? Honda ran circles around Detroit with their quality? Why couldn't we put out quality? The big three had to spend too much money to salary's, all around. From the top down.
This is a very good film and it has inspired me to follow a few stories that I want to tell.
So, stay tuned.
This is a very good film and it has inspired me to follow a few stories that I want to tell.
So, stay tuned.
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